Nasir Sobhani, The Streets Barber

Nasir Sobhani is an Iranian barber who moved to Australia from Canada in 2012. In his twenties, Nasir struggled with addiction. He felt lost, and the uncertainty about his future was debilitating. Nasir loved cutting hair, however, when his family suggested he do this as a career he was offended. Being a barber seemed inadequate.

After going to rehab, Nasir turned his life around and moved to Australia for a fresh start. He spent hours standing outside barbershops and watching videos online to learn the craft. Years later, when he was given the oppourtunity to work as a barber professionally, he felt that something was missing. This is how he began the Streets Barber Initiative. “Giving them a reason to think clean by feeling and looking clean”.

It's Happening: Come From Away has arrived in Australia

Come From Away is as much the story of how two struggling artists from America created a multi-award winning musical that receives standing ovations at every show, as it is about 9/11. The musical tells the story of the Canadian town of Newfoundland that welcomed 6,579 stranded passengers flying at the time of 9/11. A tale of the best of humanity during the worst.

I had the pleasure of sitting down with a few of the real-life come-from-aways as well as the cast, in the aisles of The Comedy Thea

From Penicillin to Penny Cillin

MELBOURNE, Australia – Liam* sits alone in front of a row of mirrors with “Broadway Bitches” sprawled in red lipstick across the top. Surrounded by colourful wigs and dresses that glisten in the afternoon sun, Liam is an enigma in black ripped jeans, leather boots and a torn Metallica singlet. He is 5’9” and weighs just 50kg. His dirty blonde hair has been pinned under a beige wig cap, but rebellious tufts poke out. He peers sheepishly at me in the mirror, as a bartender drops off his second vod

When the Light Leaves: How to cry silently in a sold-out theatre

To confront or not to confront – that is the question. Theatre-makers have long since pondered whether it’s enough to simply entertain, or whether the role of theatre is to challenge; to evoke feeling and start conversations. There is no escape from live theatre. Audiences are hauled into the fire alongside the performers, and nobody will leave, When the Light Leaves, unscathed.

Rory Godbold’s play centers around terminally ill Dan, played with anchoring gravity by Tomas Parrish.

Blackrock by EbbFlow Theatre Co

Tragedy pervades the working-class suburb of Blackrock in a play that highlights centuries of misogyny still discernible today. Nick Enright’s writing, based on a true story, provides a galvanising look at Australian culture, in the way only live theatre can.

Blackrock tells the story of a small coastal town ripped apart after the violent rape and murder of a 15-year-old girl named Tracey. It explores harmful gender stereotypes and the generational sexism that is passed down from parents to